Mercurial > audlegacy-plugins
comparison src/Input/timidity/libtimidity/options.h @ 0:13389e613d67 trunk
[svn] - initial import of audacious-plugins tree (lots to do)
| author | nenolod |
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| date | Mon, 18 Sep 2006 01:11:49 -0700 |
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| -1:000000000000 | 0:13389e613d67 |
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| 1 /* | |
| 2 TiMidity -- Experimental MIDI to WAVE converter | |
| 3 Copyright (C) 1995 Tuukka Toivonen <toivonen@clinet.fi> | |
| 4 | |
| 5 This program is free software; you can redistribute it and/or modify | |
| 6 it under the terms of the GNU General Public License as published by | |
| 7 the Free Software Foundation; either version 2 of the License, or | |
| 8 (at your option) any later version. | |
| 9 | |
| 10 This program is distributed in the hope that it will be useful, | |
| 11 but WITHOUT ANY WARRANTY; without even the implied warranty of | |
| 12 MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the | |
| 13 GNU General Public License for more details. | |
| 14 | |
| 15 You should have received a copy of the GNU General Public License | |
| 16 along with this program; if not, write to the Free Software | |
| 17 Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA. | |
| 18 */ | |
| 19 | |
| 20 /* When a patch file can't be opened, one of these extensions is | |
| 21 appended to the filename and the open is tried again. | |
| 22 */ | |
| 23 #define PATCH_EXT_LIST { ".pat", 0 } | |
| 24 | |
| 25 /* Acoustic Grand Piano seems to be the usual default instrument. */ | |
| 26 #define DEFAULT_PROGRAM 0 | |
| 27 | |
| 28 /* 9 here is MIDI channel 10, which is the standard percussion channel. | |
| 29 Some files (notably C:\WINDOWS\CANYON.MID) think that 16 is one too. | |
| 30 On the other hand, some files know that 16 is not a drum channel and | |
| 31 try to play music on it. This is now a runtime option, so this isn't | |
| 32 a critical choice anymore. */ | |
| 33 #define DEFAULT_DRUMCHANNELS ((1<<9) | (1<<15)) | |
| 34 | |
| 35 /* In percent. */ | |
| 36 #define DEFAULT_AMPLIFICATION 70 | |
| 37 | |
| 38 /* Default polyphony */ | |
| 39 #define DEFAULT_VOICES 32 | |
| 40 | |
| 41 /* 1000 here will give a control ratio of 22:1 with 22 kHz output. | |
| 42 Higher CONTROLS_PER_SECOND values allow more accurate rendering | |
| 43 of envelopes and tremolo. The cost is CPU time. */ | |
| 44 #define CONTROLS_PER_SECOND 1000 | |
| 45 | |
| 46 /* Make envelopes twice as fast. Saves ~20% CPU time (notes decay | |
| 47 faster) and sounds more like a GUS. There is now a command line | |
| 48 option to toggle this as well. */ | |
| 49 #define FAST_DECAY | |
| 50 | |
| 51 /* How many bits to use for the fractional part of sample positions. | |
| 52 This affects tonal accuracy. The entire position counter must fit | |
| 53 in 32 bits, so with FRACTION_BITS equal to 12, the maximum size of | |
| 54 a sample is 1048576 samples (2 megabytes in memory). The GUS gets | |
| 55 by with just 9 bits and a little help from its friends... | |
| 56 "The GUS does not SUCK!!!" -- a happy user :) */ | |
| 57 #define FRACTION_BITS 12 | |
| 58 | |
| 59 /* For some reason the sample volume is always set to maximum in all | |
| 60 patch files. Define this for a crude adjustment that may help | |
| 61 equalize instrument volumes. */ | |
| 62 #define ADJUST_SAMPLE_VOLUMES | |
| 63 | |
| 64 /* The number of samples to use for ramping out a dying note. Affects | |
| 65 click removal. */ | |
| 66 #define MAX_DIE_TIME 20 | |
| 67 | |
| 68 /**************************************************************************/ | |
| 69 /* Anything below this shouldn't need to be changed unless you're porting | |
| 70 to a new machine with other than 32-bit, big-endian words. */ | |
| 71 /**************************************************************************/ | |
| 72 | |
| 73 /* change FRACTION_BITS above, not these */ | |
| 74 #define INTEGER_MASK (0xFFFFFFFF << FRACTION_BITS) | |
| 75 #define FRACTION_MASK (~ INTEGER_MASK) | |
| 76 | |
| 77 /* This is enforced by some computations that must fit in an int */ | |
| 78 #define MAX_CONTROL_RATIO 255 | |
| 79 | |
| 80 #define MAX_AMPLIFICATION 800 | |
| 81 | |
| 82 /* The TiMidity configuration file */ | |
| 83 #define CONFIG_FILE "timidity.cfg" | |
| 84 | |
| 85 /* These affect general volume */ | |
| 86 #define GUARD_BITS 3 | |
| 87 #define AMP_BITS (15-GUARD_BITS) | |
| 88 | |
| 89 #define MAX_AMP_VALUE ((1<<(AMP_BITS+1))-1) | |
| 90 | |
| 91 #undef FSCALE | |
| 92 #define FSCALE(a,b) (float)((a) * (double)(1<<(b))) | |
| 93 #define FSCALENEG(a,b) (float)((a) * (1.0L / (double)(1<<(b)))) | |
| 94 | |
| 95 /* Vibrato and tremolo Choices of the Day */ | |
| 96 #define SWEEP_TUNING 38 | |
| 97 #define VIBRATO_AMPLITUDE_TUNING 1.0L | |
| 98 #define VIBRATO_RATE_TUNING 38 | |
| 99 #define TREMOLO_AMPLITUDE_TUNING 1.0L | |
| 100 #define TREMOLO_RATE_TUNING 38 | |
| 101 | |
| 102 #define SWEEP_SHIFT 16 | |
| 103 #define RATE_SHIFT 5 | |
| 104 | |
| 105 #ifndef PI | |
| 106 #define PI 3.14159265358979323846 | |
| 107 #endif | |
| 108 | |
| 109 /* The path separator (D.M.) */ | |
| 110 #ifdef WIN32 | |
| 111 # define PATH_SEP '\\' | |
| 112 #else | |
| 113 # define PATH_SEP '/' | |
| 114 #endif |
